Should I learn how to read music?
As musicians of traditional music, we place a great deal of emphasis on learning music by ear. When you primarily learn by ear, you not only pick up a melody but you also absorb all the other nuances that go along with a style that are difficult to teach. However, reading music is an extremely valuable skill. It’s true that Cape Breton music is mainly transmitted orally. But much of the repertoire has been learned by fiddlers searching through tune books. The majority of Cape Breton fiddlers read music. Tune books have been a valuable and treasured resource for Cape Breton fiddlers ever since they started to become more available around the time of WWII. I love going through tune books not only to find new tunes, but also to find tunes that I frequently hear but don’t play. Yes, learning by ear is important, but reading music is still a valuable asset.
Do I need to learn music theory?
Ultimately, your ear is your best guide through the learning process. You most likely know some theory already – you know what major keys sound like versus minor keys. You just might not know what exactly a ‘key” is or what major and minor really mean. In my personal experience, I had a little theory knowledge growing up, mostly learned from my piano lessons. I studied it more in depth in high school and college. Music theory has helped me understand traditional music in a different way, especially in my piano accompaniment. It helped me understand and be able to explain the sounds I already knew. It is a tool that helps me teach traditional music. Having said that, an in depth knowledge of music theory is not necessary to be a good fiddle player. But it does help to have some basic skills, for example, a knowledge of key signatures and chords. If you are playing with an accompanist, it is helpful to know what key you are playing in and some basic chords to accompany the tunes with. Ultimately, having some theory empowers you to help you learn things on your own. In my teaching I like to focus on these skills to help give students more perspective and understanding about the tunes and music they are playing.
Should I take classical violin lessons?
We all know of many traditional players of various fiddle traditions who are self taught, hold their instrument in all sorts of different ways, yet are virtuosic in their traditions. In Cape Breton, many fiddlers are and have been self taught and play brilliantly. Think of the instrument simply a tool to produce music. But that doesn’t mean you should just think that you should ignore some classical technique. It’s especially valuable if you are having trouble getting good sounds out of your instrument. In these situations, taking classical lessons can definitely help you play more efficiently. Classical training can help improve skills ranging from a good bow hold and string crossing to good intonation.
What are some other concerns you have about learning fiddle music? Please feel free to post about your experience.
Finding an effective and efficient practice routine can be challenging. We are all different when it comes to finding a plan that works, no one way works for everyone. But of course the best way to keep playing is to make it fun!
Just play….
The violin is one of the most awkward instruments to play. The more you work with it, the more natural it will feel over time. Approach playing like a child would. When I was a beginner, I remember that quite a bit of my practice time was spent simply playing, more so than practicing individual techniques. I didn’t always focus on whether or not I was in tune or if I missed a few notes. This is not to say you shouldn’t worry about technique at all. But it is very important to set aside time just for playing and not to constantly focus on making everything perfect. Just playing for the sake of playing can be just as valuable practice as working on a particular technique.
Separate and isolate.
It can be frustrating when things don’t come together at once. Even though you might work on improving your bow hold, improving your intonation and learning a new tune all at the same, it is nearly impossible to concentrate on everything at once. Work on your bow hold by just playing open strings. Separate that as it’s own technique for a while before trying to integrate your fingering. Once you feel you are getting the hang of it, see if you can keep the new grip when you play a scale. Likewise, when you are working on intonation, don’t worry if you are holding the bow perfectly or working in suggested bowings. Keep your focus on your fingering. Separating and isolating new techniques helps you integrate them later.
Play along with recordings.
Playing with recordings to accompany you gives a different sense of the music than if you were to just play on your own. It is also a lot of fun. It takes the focus away from sounds you make that you might believe are either out of tune, or not as clear, and helps you internalize the music in a different way. If you don’t have access to a live accompanist to play with, playing with a recording is the next best thing. Play along even if you don’t know all the notes to the tune. There is some great software available to slow tracks down. I like to use the Amazing Slow Downer
Learn on your own.
Venture out and learn something that your teacher didn’t give you. Try learning a new tune that catches your ear, even if it is fast and in a difficult key (a slow downing program would be a useful tool for this). Sound out a new scale in a difficult key like F major or E major. You internalize things in a different way when you figure out on your own how they work. Don’t shy away from new things that sound challenging just because someone hasn’t shown you. You may surprise yourself.
Find a buddy.
Having a buddy for any new challenge helps you stay motivated. If you don’t know anyone to play music with, try and find an organization in your area that you can join such as a fiddle club, a session or a strathspeys and reel society. Fiddle camps are also a great way to meet other players at a variety of levels. Also, If you’ve had the chance to play in front of someone, you understand that it feel like an entirely different experience than playing for just yourself. It is a different type of practice and very valuable.
These are some easy ways to change up your practice routine and help you stay motivated. It is easy to get in a rut of playing the same tunes and practicing the same way all the time. The best way to improve is to keep it enjoyable, and sometimes that means trying something new. Please feel free to share your experiences here.